Browse Items (27 total)

Gill helped Schindler and Claude Chase form and raise the tilt-slab walls for the Schindler house on Kings Road, 1921. Invoices in the Schindler archive show that Schindler rented some of Gill’s equipment for the concrete work. Chase assisted Gill…

Gill designed approximately eight cottages for parcels of land he purchased in San Diego. There is little documentation for these, but all or most of the houses seem to have been built on Albatross, Front, Robinson Mews, and Hawthorne streets.Gill…

In the last year of his life, with the Depression still strong, Gill designed at least four buildings, of which only the Blade-Tribune newspaper building and a beauty parlor in Redondo Beach were built. In 1936 he was working on a theater with Zara…

Gill designed a number of schools. A 1913 article about his concrete public school for the City of Fontana praised the large outdoor playground and quoted Gill as saying that the basement playroom is “the most glaring evil in school room…

The architect and planner Frederick Gutheim worked for the Bureau of Indian Affairs in the 1930s. His letters to architectural critic Esther McCoy and to Louis Gill describe his friendship with Irving Gill and the Barona Resettlement project they…

The Los Angeles Herald published several articles announcing the luxury housing development at Laughlin Park. A 1912 article announced that Gill was in charge of all planning for this Hollywood Hills development on a site of three acres. Another…

Gill’s site planning was especially successful in this project. He pushed the cottages to the outside edge of the plot to leave a large public area for shared gardens and a loggia. He also placed each L-shaped cottage so that its arcaded porch and…

Gill designed two identical buildings bisected by a walkway from the street to the rear of the property. The floor plan for both buildings shows the mirror image of the first and second floors. Each building contained two two-bedroom apartments, with…

In the Woman’s Club, the La Jolla Playground Community House, and here in the Bishop’s School, Gill used an arcaded screen wall as a unifying element, and to articulate his austere geometry with rhythmic voids. Scripps Hall was built in 1910,…

Bishop Johnson lived in Pasadena and the Episcopal Church originally planned to build a preparatory school in Sierra Madre. When Ellen Scripps and her sister Elizabeth Virginia Scripps offered to be benefactors, the decision was made to build a day…

Gill’s austere clarity was especially suited to pragmatic building programs, such as the concrete Biological Station. Ellen Scripps funded the building, now part of the University of California, in honor of her brother George.

Gill’s intention was to make his buildings as efficient as possible, and that is certainly true for this hospital, funded by Joseph Sefton and built on the grounds of the Children’s Home. The hospital was built of concrete to make it easy to keep…

Gill’s notes about the concrete work for the Club and the sequential construction photographs provide unusual detail for one of Gill’s significant civic designs.
Robert H. Aiken is usually credited as the tilt-up pioneer in the U.S; he…

A book could be written about Gill’s women clients, and Ellen Scripps would be a significant chapter. She helped her brothers build a successful newspaper business and moved to La Jolla in 1897, when the town had “cow paths in lieu of streets.”…

Built on 60 acres of orange groves, the Clarke estate was Gill’s last major residential project. Constructed of poured in place reinforced concrete, the house measures 8,000 square feet. Gill’s drawings note that Gill and Pearson built the house…

This 18-room house built for the steel manufacturer, Henry Timken, was Gill’s largest to date. Gill placed the house close to the street, leaving room for enclosed courts and a large garden. Eloise Roorbach’s contemporary article noted that the…

The Dodge house was located on Kings Road, just north of the future site of Schindler’s own 1921 house. Considered Gill’s masterpiece, the design was widely praised for, as historian Leland Roth wrote," revealing a functional asymmetry whose…

The austere Miltmore house is generously “ornamented by nature.” Gill sited the house to preserve the many trees on the sprawling lot and placed long loggias alongside the front and rear elevations. The interior is gracious though simple,…

This is the first Los Angeles building that Gill designed on his own. The house has a classic center hall plan and an enclosed outdoor court. He typically oriented his plans so that one was drawn toward the light and landscape at the back of the…

This house had a simplified exterior form, with a slight Japanese flavor in the tilt of the roof, and a warm Arts and Crafts interior.
Melville Klauber was from San Diego’s growing merchant class, and married to the sister of Julius Wangenheim.…

Frank Mead worked in the Hebbard and Gill office beginning about 1904. He and Gill formed a seven-month partnership in 1907, when the H & G partnership ended. Before joining the office, Mead, though trained as an architect, worked actively, and…

Hebbard and Gill designed an English cottage for Wangenheim, a civic leader, owner of a grocery store business, and the father-in-law of Melville Klauber, another Gill client. San Diego was a small town and Hebbard and Gill worked with most of its…

Alice Lee (a San Diego socialite and second cousin of Theodore Roosevelt’s first wife) and Katherine Teats commissioned two distinct house groups from Gill. In 1905 Gill designed a house for Lee and Teats on Seventh Avenue, with adjacent rental…

The designs from the Hebbard and Gill partnership were eclectic, leaning toward English cottages with Arts and Crafts influence, but included Neo-classical, Gothic, Queen Anne, Mission Revival, and Prairie School styles.

In this drawing of a…

The photograph in the reception area of the office depicts the Mission Basilica San Diego de Alcalá, the first Franciscan mission in New Spain. William Hebbard and Irving Gill (Hebbard and Gill partnership, 1896-1907) stabilized the building in…

Gill used simplicity, symmetry and strategic asymmetry in his landscapes and buildings. Garden walls extend the building volume across the site, while also enclosing gardens and terraces.

In this series of drawings of graphite and gouache on board…

This early photograph of Irving Gill, from circa 1898, shows him soon after he moved to the San Diego area from Chicago. Gill is dressed in a suit with a bow tie and is looking away from the camera. It is one of a series of posed studio portraits…