Browse Items (35 total)

Photographs of the exterior of the Stothart House; one of the driveway entrance and one of the side patio. The design emphasis on horizontal and flat forms, along with uniform windows and parapets echoed the International Style.

Photographs of the exterior of the apartments. The plans reflected the Bauhaus concept of utilizing limited space. Each of the four apartments has an exterior space such as a patio or sundeck to provide private outside access- a luxury usually only…

Built in the single-story"ranch style", the Walter Foster House project was one of Davidson's new designs bearing a departure from the International Style in favor of Soft Modernism. The house's plan incorporated local building styles and materials,…

These photographs document the narrow medical building that housed the practices of Dr. B.F. Feingold and and Dr. J.M. Harris. The spaces were designed to be modern and expansive, with scattered lighting and noise insulation.

Davidson's design for the cover of California Sport Magazine.

Exterior photograph of the Vigeveno #1 House, a ranch-style vacation home for art dealer James Vigeveno and his family. Another design was made for Vigeveno alongside the first, although this second house featured a completely different architectural…

Photographs of the interior and a floor plan of the Rabinowitz House. The design featured a panoramic view of Bel Air from its secluded position on a hill.

Photographs of the interior of the Hi-Hat restaurant. The owner originally requested an English style tavern, to which Davidson created a design that reflected his wishes but through a modernist's sensibilities.

Photos and plan of the entrance to Davidson's office in Los Angeles. The facade echoes the stylistic influences of Rudolph Schindler and Frank Lloyd Wright.

A portrait of J.R. Davidson in his later years.

Photographs of the exterior and interior of the Bilicke-Satyr Bookstore, featuring special strip lights. Many of Davidson's early commercial projects incorporate Art Deco elements, calculating geometric shapes, sleek forms, and straight lines.

Photograph of the interior and front entrance of the Schilling's Flower Store. It was later replaced by Bachelor's Haberdashery Shop.

Photographs of the entrance and interior of the Haberdashery (a men's clothing store). This business replaced the earlier Schilling's Flowers.

Renderings and floor plan of the Drive-in Curb Market. Designs like this clearly anticipated the increasing importance of automobiles in the modern age.

Photographs of the remodeled bar and tavern of the Hotel Knickerbocker. The resulting shape of the space results from the combination of "several existing odd rooms".

Photographs of the exterior entrance, bar, and lunch counter of the Golden Lion Inn. The facade echoed tavern aesthetics, yet the inside was incredibly spacious and well lit.

Schematics of lamp designs. Davidson was inspired by Bauhaus furniture, which were streamlined, stainless steel constructions.

Sketches of the vacation house designed for Blake g Smith. The house was situated on the top of the cliffs, with a staircase leading down to a "natural sea pool".

Watercolor sketch of Davidson's hometown of Berlin.

An early sketchbook of Davidson's studies of furniture and other objects from a decorative arts and design museum in Paris. Note the attention to detail and pattern.

Watercolor sketch of a church steeple when Davidson probably still lived in Posen, Poland.

Watercolor sketch from one of Davidson's sketchbooks.

Photographs of the former servants' quarters that Davidson retrofitted into his five-bedroom apartment in Berlin.

Floor plan and photographs of the residence Davidson designed for himself and his wife on South Barrington Avenue in Los Angeles.

Photographs of the interior of the coconut grove courtyard and lamp details. Davidson emphasized unique lighting designs, with the lamps here incorporating vegetal or "oriental" star elements.

Davidson was commissioned to refurbish Sardi's Restaurant, which originally had interior design work done by Rudolph Schindler. Davidson reorganized the inside and added new features, opening up the space by cleverly incorporating partitions and…

Concept for the Tierney and Co. Restaurant. Note the bold Art Deco inspired interior.

Davidson was asked to design a family home for Richard Bransten, son of a wealthy coffee manufacturer from San Francisco. The window design reflects De-Stijl sensibilities, focusing on large geometric shapes. The three story residence was built on a…

Davidson retrofitted this Georgian home to better house the owner's modern art collection. He replaced wall space with larger windows and a glass enclosed porch to allow more light in and open up the space.

Davidson's furniture and restaurant supply designs expressed both Art Deco and modernist sensibilities. His "cellarette" concept for a pullout bar on wheels echoes the same simple, functional design of his patent for an easy open cigarette container.

Originally designed in Berlin, Davidson brought this drawing with him to America. The slightly curved armrests are reminiscent of Bruno Paul's own armchair designs.

The plan of the Floyd D. Crosby Residence is actually the same floor plan Davidson used for the design of his own home, though the interior design choices of the homes differed widely.

This house was designed not unlike the Crosby residence and Davidson's own home, although in the Taylor house the kitchen plan is more open and a glass vitrine provides views into the living room.

After supposedly being turned down by Richard Neutra to design their home, clients Joseph and Lore Kingsley commissioned Davidson to design a unique home to fit their needs. This design was then mirrored next door in the house built for Joseph…

Davidson designed a whole line of outdoor furniture crafted from rattan and bamboo materials, which are flexible and durable enough to withstand the elements. He was inspired by Asian modes of craft-making, classic wooden furniture, and the designs…